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Continuing the tradition of conceptualism, Arkhipov makes up texts, documenting the story of these objects. Kandinsky Prize nominee (2013). Participated in the Triennial of Russian Contemporary Art (2017).

In the context of the interdisciplinary project 'Homemade Russia', the artist collects handmade objects of utility (from 1994). It's important for Arkhipov that these objects are unique and were made from available materials which weren't for sale.

Thie exhibition presented highlights from Vladimir Arkhipov's collection of unique artifacts. Objects made by ordinary Russians inspired by a lack of immediate access to manufactured goods during the collapse of the Soviet Union.

The archive includes hundreds of objects created with often idiosyncratic functional qualities made for both inside and outside the home, such as a tiny bathtub plug carefully fashioned from a boot heel; a back massager made from an old wooden abacus; a road sign used as a street cleaner's shovel; and a doormat made from beer bottle tops.

World-renowned artist Ilya Kabakov is regarded as a living classic of contemporary art which was confirmed by countless exhibitions in Europe and the United States. His famous "total" installations are well-known around the world; they have been exhibited at leading art institutions like Pompidou center in Paris, the MOMA and the Guggenheim Museum in New York, and at the Venice Biennale and Documenta in Kassel. Since 1989 his wife Emilia has joined him as they started working in collaboration.

'Monument to a Lost Civilization' was first displayed in 1999 in Palermo and includes 37 installations, consisting of 140 individual pieces, collages, and artists' texts and documents. Ilya Kabakov: "This has been my principal dream over the last ten years – to set up a monument to the civilization where I was born, where I studied, and where I lived: the Union of Soviet Socialist Republics that no longer exists. I'd like to create an image of that place, not an objective one, of course, but the way I saw it and felt it, which is highly subjective. My longing got even more imperious after this civilization that was meant to last for ages fell apart and vanished so abruptly and promptly for its inhabitants". 'Monument To A Lost Civilization' was intended by Ilya and Emilia Kabakov to be exhibited underground in a windowless space. Viewers' confusion was supposed to impart the sense of the Soviet Union.

One of the most expressive and spontaneous European artists has changed the Red October Gallery interior drastically in just three days. Meese is famous for the fact that most of his projects are site-specific. The artist kept the idea secret. The only thing certain about the exhibition was its title: Erz General Red Parsifal.

Meese lives and works in Germany, He works in almost every genre of art: painting, sculpture, video, installation, and performance. He participated in Berlin biennale in 1998, his personal exhibitions were hosted on every continent. Works of the artist are in the collections of the Pompidou Centre, Saatchi Gallery, and other institutions. Meese designed the sets for Wolfgang Rihm's Salzburg Festival Dionysus and he was also chosen to direct the opera "Parsifal", for the Bayreuth Festival 2016.

The German artist could be called an extremist in art. In his work and numerous manifestos, Meese is promoting the cult of art and predicts its dictatorship on the Earth in the nearest future. The large-scale installation at Red October reveals all sides of Meese's personality. Behind the meters of bubble wrap, one finds a great charisma and insane energy inherent in all Jonathan's art.

The title of the exhibition is meaningful. The Erzgeneral is the Evolution leader, the Metabolism-Soldier of Art. The Word "Red" stands for Total Alert, being totally fit for Art duty, for (R)evolution, red is always the color of Love, Fight(red, white, black are the three colors of precision), and power. There is of course also the reference to Red October, the Space of Total Art, the Room of Laws of Art… Parsifal shows the future: Dictatorship of Art.

"Dogs' Life" is a project by Alexander Brodsky, Semyon Faibisovich and Olga Chernyshova.

In the early 90-s, many Russians used to leave their children in orphanages and beloved thoroughbred dogs in the streets. Those dogs' offspring that survived formed a steadily specific and motley community of homeless creatures.

The idea of creating a series of works about their life – a kind of hymn to the dogs' freedom – came to Semyon Faibisovich in the early 2000s. While the artist was gathering the material and creating paintings, dogs vanished from the Moscow landscape. Dog hunters were the main reason for that. Thus the hymn of freedom turned into the requiem for victims of cruelty towards animals.

In the philosophical and allegorical installation by Alexander Brodsky, the same theme of requiem is original, as the installation's concept came to the artist after the dogs had already disappeared. It is a representation of an abandoned canine concentration camp.

The video installation by Olga Chernysheva is full of optimism. Several screens are broadcasting how thoroughbred well-groomed dogs with buckets in their mouths are performing in order to raise funds for their unfortunate brethren in shelters.

One of the main ideas of this three-part project is to provoke a discussion about the lack of kindness and animals' deprivation of normal life, or even just a life, because of human cruelty.

The idea to create an Ark belongs to Sergey Bratkov, who created both a sketch and a plan. The role of Noah, who chose the set of artists and their works was played by Mikhail Ovcharenko. There are different styles of contemporary art exhibited.

The artists participating: Evgeniy Antufyev, Oleg Dou, Ivan Gorshkov, Arseniy Zhilyaev, art duo EliKuka, Egor Koshelev, Olga Kroytor, Vlad Kulkov, Taus Mahacheva, Misha Most, Valeria Nibiru, Anna Parkina, Tatyana Peniker, Alexander Povzner, Anastasia Potemkina, Sergey Sapozhnikov, Emir Emir.

The air is filled with talks about the end of the world on December 21, 2012. On the eve of the Apocalypse everybody inevitably draws conclusions. Who will be saved, and what will be saved? "Not everyone will be taken into the future", – Ilya Kabakov once said. Whose works, of which artists of contemporary Russia will survive any catastrophe? This is what "Reload" is about, a group exhibition of young Russian artists, which opened on December 18 in the Red October gallery.

Time eliminates everything which is superfluous. It's the best filter for art as well. It determines the artist's contribution to the world of art and his influence on our future. Some Russian contemporary artists have already gained the status of living classics and have been internationally recognized. However, among the young generation of artists, there are those, whose works are worthy to become a part of cultural heritage.